The concept and name of the exhibition are a reference to the well-known psychological thriller "The Peeping Tom" (1960) which at the time made a great impression on the public thanks to the brave camera work around Freud's complicated plots. The action was conducted with the participation of the viewers in a process of voyeurism, observation and during the film all the viewers became partners in the actions of the main character.

In the last two years of the pandemic, Olga Goltzer (Tel Aviv), an animator and designer, stayed mostly on the wide balcony of her apartment in Jaffa, dividing her time between teaching, her family, engaging in animation and a collection of found objects. She says: "I started observing, observing the life of inanimate objects and establishing a picture. All my life I try to avoid the moment of final choice, in animation everything moves, everything can be changed every second, but this is the time I want to fix and remember." Her eldest daughter GLUK KA thinks that she and Olga work as muses for each other and maintains the family tradition by working with Ready Made, finding new roles for existing objects.

The exhibition was built around several animated films by Olga Goltzer (Cute Family,  Auguries of Innocences  Golem), her different working methods and the manifesto Anima Verite.

The exhibition consists of several themes, in which Ready Made,   assemblage, animation and graphics are combined. Separately, the collection of small urban jewelry is presented  - the "treasures" were made by GLUK KA.

Olga Goltzer is an animator and designer, born in Kiev studied at the "Bezalel" Art Academy. Works mainly with  found object, modern music and slam poetry. Lives in Tel Aviv, teaches at the "Mansher" art school (Tel Aviv), at the "Sapir" (Sderot) and "Mosarra" colleges (Jerusalem) and also at the WILD KIDS animation studio (Jerusalem).

GLUK KA is a student at the Bezalel Academy of Art, participated in several art exhibition projects and curators in Tel Aviv and Jerusalem.